Besprechung
Looking awry

Timotheus Vermeulen on „Number eight: Sturtevant“ at Julia Stoschek Collection, Düsseldorf, until August 10, 2014

There is something strange about reviewing an exhibition of Elaine Sturtevant today, as a critic born in the early eighties. Something awry. Sturtevant came of fame as a young artist in the early nineteen sixties for her detailed duplications of other people’s art works, resembling them formally whilst sharing none of their conceptual concerns: simulacra, realities simulated by formulae, weiterlesen