The Abstract Turn
Back to Abstraction – An essay by Noemi Smolik
Just before the end of the year, Cologne gallerists Alexander Warhus and Luisa Rittershaus presented a striking exhibition of painting in the former spaces of Galerie Zwirner, today the project space WERTHEIM. The 10-day exhibition showed works by young artists living in the Rhineland, who, alongside the visual formats set by the curators, almost all the same size, had one thing in common: abstraction. But weiterlesen
Cologne’s Shortest Exhibition Ever
was entitled “bis das Ei hartgekocht ist” (Until the Egg is Hard-Boiled) and took place on September 12, 1963 at Galerie Zwirner at Kolumbakirchhof 2 (by Günter Herzog)
Daniel Spoerri, the artist who provided the works, explained the exhibition in his very rare invitation—so rare that even ZADIK did not receive one—as follows: “Well, when I drove to Cologne around ten days ago in my small van with bad brakes to pick up weiterlesen
New Column
by the artist Claus Richter
Hello and welcome to the “Richter Collection”, the new column in the artblogcologne. I came to Cologne about four years ago, and in an exorbitantly large coach I brought with me one hundred and seventy-three trunks with silver clasps, filled with old books, toys and other delightful artifacts. A seven-and-a-half-tonner, as one might say. As this has grown over the past four years by probably another two tons, it weiterlesen
Galerie Heiner Friedrich, Munich, Cologne, New York, 1963–1980
Zentralarchiv des Internationalen Kunsthandels on Its Holdings: Günter Herzog on a Legendary Art Dealer
During the 1960s and 1970s, Galerie Heiner Friedrich played an extraordinarily important role for the development, the reputation, and the international orientation of the West German art world, but for Heiner Friedrich it was only the first step along a path towards a life-relationship with art that seeks its equal in probably every way.
It all began at a Carnival weiterlesen